CDM courses with the DC (digital cinema) and TV (television) labels have been relabeled with a new label denoting courses in Creative Producing (CP), Documentary (DOC), Production (FILM), Post-Production (POST), and Screenwriting (SCWR). The Visual Effects label (VFX) has not changed. Below is a list of all courses that were affected by the change. Be sure to look for the new code when searching for classes.
Your Degree Progress Report (DPR) will still display courses with the DC label because that was the course label for your requirements at the time of admission. You will need to refer to this list when choosing your remaining classes. Corresponding courses with the new label should automatically satisfy the course requirement displayed in your degree planner. If you have any questions, please contact your faculty advisor or schedule an appointment with the CDM Advising office.
| Subject | Catalog Number | Course Title | New Subject | New Catalog Number |
|---|---|---|---|---|
| Subject | Catalog Number | Course Title | New Subject | New Catalog Number |
| DC | 100 | INTRODUCTION TO CINEMA: THE ART OF MAKING MOVIES | FILM | 100 |
| DC | 101 | SCREENWRITING FOR MAJORS | SCWR | 101 |
| DC | 102 | FUNDAMENTALS OF SHORT FILM | FILM | 130 |
| DC | 104 | STAND-UP COMEDY | FILM | 184 |
| DC | 105 | DIGITAL MEDIA LITERACIES | FILM | 145 |
| DC | 110 | FOUNDATIONS OF CINEMA FOR MAJORS | FILM | 101 |
| DC | 111 | VIDEO FOR SOCIAL MEDIA | FILM | 104 |
| DC | 113 | AUDIO FOR PODCASTS AND OTHER MEDIA | POST | 120 |
| DC | 120 | VIDEO EDITING | POST | 100 |
| DC | 121 | THE ART OF PRODUCTION DESIGN | FILM | 170 |
| DC | 125 | DIGITAL STILL PHOTOGRAPHY FOR NON-MAJORS | FILM | 165 |
| DC | 150 | CINEMA PRODUCTION FOR NON-MAJORS | FILM | 111 |
| DC | 200 | MEDIA LITERACIES | FILM | 245 |
| DC | 201 | INTRODUCTION TO SCREENWRITING | SCWR | 100 |
| DC | 202 | HISTORY OF MOTION PICTURE EDITING | POST | 204 |
| DC | 204 | ART OF DOCUMENTARY | DOC | 122 |
| DC | 205 | FOUNDATIONS OF CINEMA FOR NON-MAJORS | FILM | 102 |
| DC | 206 | HISTORY OF CINEMA PRODUCTION | FILM | 131 |
| DC | 210 | DIGITAL CINEMA PRODUCTION I | FILM | 110 |
| DC | 211 | PRE-PRODUCTION FOR CINEMA | no longer offered* | |
| DC | 212 | PRODUCTION SOUND I | POST | 330 |
| DC | 213 | CREATIVE METHODOLOGIES FOR FILM AND TELEVISION | FILM | 232 |
| DC | 214 | INTRODUCTORY PRO TOOLS WORKSHOP | POST | 125 |
| DC | 215 | SOUND DESIGN I | POST | 124 |
| DC | 220 | EDITING I | POST | 110 |
| DC | 221 | FILM STRUCTURE FOR MAJORS | SCWR | 120 |
| DC | 222 | CLASSIC HOLLYWOOD FILM STRUCTURE | SCWR | 121 |
| DC | 224 | SCRIPT TO SCREEN | SCWR | 122 |
| DC | 225 | DIGITAL STILL PHOTOGRAPHY | FILM | 265 |
| DC | 226 | FILM PHILOSOPHY FOR MAJORS | FILM | 236 |
| DC | 227 | FILM PHILOSOPHY | FILM | 237 |
| DC | 228 | ETHICS IN COMPUTER GAMES AND CINEMA | FILM | 228 |
| DC | 229 | TELEVISION GENRES | SCWR | 150 |
| DC | 230 | TELEVISION GENRES FOR MAJORS | SCWR | 151 |
| DC | 231 | DIGITAL STILL PHOTOGRAPHY | no longer offered* | |
| DC | 233 | CINEMA & ART | FILM | 233 |
| DC | 235 | ADAPTATION: THE CINEMATIC RECRAFTING OF MEANING | SCWR | 123 |
| DC | 250 | THE ART OF SCREEN ACTING | FILM | 281 |
| DC | 251 | ACTING FOR THE CAMERA | FILM | 282 |
| DC | 269 | DOCUMENTARY STORYTELLING | DOC | RETIRE |
| DC | 270 | TOPICS IN DIGITAL CINEMA | FILM | 290 |
| DC | 271 | INTRODUCTION TO TELEVISION PRODUCTION | no longer offered* | |
| DC | 272 | INTRODUCTION TO TELEVISION WRITING | SCWR | 250 |
| DC | 273 | FILM AESTHETICS: TIME, SPACE, AND MEMORY | FILM | 235 |
| DC | 274 | IMAGE, OPTICS AND CINEMATIC MOTION | FILM | 254 |
| DC | 275 | CINEMATOGRAPHY I | FILM | 250 |
| DC | 276 | CINEMATOGRAPHERS AT WORK | FILM | 251 |
| DC | 288 | INTRODUCTION TO PITCHING | SCWR | 240 |
| DC | 289 | DOCUMENTARY PRODUCTION I | DOC | 224 |
| DC | 298 | INTERNSHIP IN MEDIA PRODUCTION/POST-PRODUCTION | FILM | 298 |
| DC | 299 | INTERNSHIPS IN MEDIA AND DESIGN (NON-JYEL) | FILM | 299 |
| DC | 300 | STORY DEVELOPMENT | SCWR | 301 |
| DC | 301 | WRITING THE FEATURE SCREENPLAY | SCWR | 302 |
| DC | 302 | ADVANCED SCREENWRITING II | no longer offered* | |
| DC | 303 | REWRITING THE FEATURE FILM SCRIPT | SCWR | 303 |
| DC | 304 | TOPICS IN SCREENWRITING | SCWR | 390 |
| DC | 305 | PITCHING SEMINAR | SCWR | 341 |
| DC | 306 | WRITING THE SITCOM | SCWR | 352 |
| DC | 307 | WRITING THE EPISODIC DRAMA | SCWR | 353 |
| DC | 308 | WRITING ON ASSIGNMENT | SCWR | 305 |
| DC | 309 | FEATURE DEVELOPMENT | SCWR | 342 |
| DC | 310 | CINEMA PRODUCTION II | FILM | 210 |
| DC | 311 | MUSIC VIDEO PRODUCTION | FILM | 323 |
| DC | 312 | SCORING FOR FILM AND VIDEO | POST | 328 |
| DC | 313 | PRODUCTION SOUND II | POST | 332 |
| DC | 315 | SOUND DESIGN II | POST | 224 |
| DC | 316 | TOPICS IN POST-PRODUCTION SOUND | POST | 390 |
| DC | 317 | SOUND DESIGN III | POST | 324 |
| DC | 318 | SURROUND SOUND | POST | 326 |
| DC | 319 | ADVANCED SOUND RECORDING AND EDITING | POST | 336 |
| DC | 320 | EDITING II | POST | 200 |
| DC | 321 | PRODUCTION DESIGN | FILM | 270 |
| DC | 322 | EDITING STYLES AND TECHNIQUES | POST | 306 |
| DC | 323 | PRE-PRODUCTION FOR CINEMA | CP | 320 |
| DC | 324 | LOGIC PRO MIDI SEQUENCING WORKSHOP | POST | 321 |
| DC | 325 | COLOR CORRECTION | POST | 340 |
| DC | 326 | ADVANCED COLOR CORRECTION | POST | 344 |
| DC | 327 | INTERACTIVE AUDIO AND VIDEO | POST | 360 |
| DC | 328 | WRITING THE WEB SERIES | SCWR | 360 |
| DC | 330 | REWRITING THE ORIGINAL TELEVISION PILOT | SCWR | 354 |
| DC | 331 | ADVANCED PRODUCTION DESIGN | FILM | 370 |
| DC | 333 | CINEMATIC SPACE | FILM | 357 |
| DC | 336 | ABLETON LIVE WORKSHOP | POST | 322 |
| DC | 337 | MAX CYCLING 74 WORKSHOP | POST | 364 |
| DC | 340 | EDITING III | POST | 303 |
| DC | 341 | STORYTELLING FOR VIDEO GAMES | SCWR | 349 |
| DC | 342 | ADVANCED TOPICS IN EDITING | POST | 391 |
| DC | 343 | WRITING THE SHORT FILM FOR PRODUCTION | SCWR | 308 |
| DC | 344 | ADVANCED SCREENWRITING LAB | SCWR | 310 |
| DC | 345 | EXPERIMENTAL FILMMAKING I | FILM | 325 |
| DC | 346 | SCENE WRITING | SCWR | 306 |
| DC | 347 | ADAPTATION | SCWR | 307 |
| DC | 348 | EXPERIMENTAL FILMMAKING II | FILM | 326 |
| DC | 349 | ACTING FOR FILMMAKERS | FILM | 381 |
| DC | 350 | DIRECTING THE SHORT FILM | FILM | 387 |
| DC | 351 | EDITING THE DOCUMENTARY | DOC | 312 |
| DC | 352 | REHEARSAL WORKSHOP FOR DIRECTORS | FILM | 386 |
| DC | 359 | VISUAL EFFECTS CINEMATOGRAPHY | FILM | 359 |
| DC | 360 | EDITING THE FEATURE FILM | POST | 309 |
| DC | 361 | COMMERCIAL PRODUCTION | FILM | 321 |
| DC | 362 | TITLES FOR CINEMA AND ANIMATION | POST | 348 |
| DC | 363 | PRODUCING FOR ANIMATION AND VFX | CP | 350 |
| DC | 364 | INDEPENDENT FILM PRODUCING | CP | 343 |
| DC | 365 | CONTRACTS AND NEGOTIATIONS | CP | 380 |
| DC | 366 | THE PERSONAL DOCUMENTARY | DOC | 382 |
| DC | 367 | DOCUMENTARY LAW AND ETHICS | DOC | 372 |
| DC | 368 | ADVANCED CAMERA TECHNOLOGIES | FILM | 358 |
| DC | 369 | DOCUMENTARY STORYTELLING | DOC | 305 |
| DC | 370 | ADVANCED TOPICS IN CINEMA | FILM | 390 |
| DC | 371 | DOCUMENTARY PRODUCTION II | DOC | 324 |
| DC | 372 | TOPICS IN TV PRODUCTION | no longer offered* | |
| DC | 373 | DOCUMENTARY PRODUCTION 3 | DOC | 384 |
| DC | 374 | ADVANCED TOPICS IN DOCUMENTARY | DOC | 396 |
| DC | 375 | CINEMATOGRAPHY II | FILM | 350 |
| DC | 376 | VISUAL DESIGN | FILM | 279 |
| DC | 377 | LIGHTING I | FILM | 355 |
| DC | 378 | DOCUMENTARY CINEMATOGRAPHY | DOC | 352 |
| DC | 379 | PRE-PRODUCTION WORKSHOP | CP | 323 |
| DC | 380 | PROJECT BLUELIGHT | FILM | 380 |
| DC | 381 | DISTRIBUTION AND EXHIBITION | CP | 382 |
| DC | 382 | POST-PRODUCTION WORKSHOP | POST | 380 |
| DC | 383 | COMEDY, JOKE, AND SKETCH WRITING | SCWR | 379 |
| DC | 384 | LIGHTING II | FILM | 356 |
| DC | 385 | INTRODUCTION TO FILM PRODUCING | CP | 340 |
| DC | 386 | DOCUMENTARY PRODUCING | DOC | 326 |
| DC | 387 | HOLLYWOOD HISTORY | SCWR | 345 |
| DC | 388 | FILMMAKERS SEMINAR | SCWR | 346 |
| DC | 389 | INTRODUCTION TO THE MOTION PICTURE INDUSTRY | CP | 310 |
| DC | 390 | DIRECTING | FILM | 285 |
| DC | 391 | POST-PRODUCTION SEMINAR | POST | 384 |
| DC | 392 | DIRECTING II | FILM | 385 |
| DC | 393 | FILM FESTIVALS | FILM | 348 |
| DC | 394 | CINEMATOGRAPHY III | FILM | 364 |
| DC | 395 | TOPICS IN PRODUCTION | FILM | 391 |
| DC | 396 | TOPICS IN STUDY ABROAD | FILM | 393 |
| DC | 397 | CAPSTONE DEVELOPMENT | FILM | 397 |
| DC | 398 | DIGITAL CINEMA CAPSTONE | FILM | 398 |
| DC | 399 | INTERNSHIP IN MEDIA AND DESIGN | CP 399, DOC 399, FILM 399, POST 399 | |
| DC | 400 | WRITING THE TELEVISION SPEC SCRIPT | SCWR | 451 |
| DC | 401 | WRITING THE SHORT MOTION PICTURE | SCWR | 408 |
| DC | 402 | WRITING THE FEATURE I | SCWR | 401 |
| DC | 403 | WRITING THE FEATURE II | SCWR | 402 |
| DC | 404 | REWRITING THE FEATURE | SCWR | 403 |
| DC | 405 | TOPICS IN SCREENWRITING | SCWR | 490 |
| DC | 406 | WRITING THE SITCOM | SCWR | 452 |
| DC | 407 | WRITING THE EPISODIC DRAMA | SCWR | 453 |
| DC | 408 | ADVANCED WRITING ON ASSIGNMENT | SCWR | 405 |
| DC | 409 | DIGITAL CINEMA PROSEMINAR | no longer offered* | |
| DC | 411 | MUSIC VIDEO PRODUCTION | FILM | 423 |
| DC | 412 | SCORING FOR FILM AND VIDEO | POST | 428 |
| DC | 413 | PRODUCTION SOUND | POST | 432 |
| DC | 414 | FUNDAMENTALS OF CINEMA PRODUCTION | FILM | 401 |
| DC | 415 | POST-PRODUCTION SOUND DESIGN | POST | 420 |
| DC | 416 | TOPICS IN POST-PRODUCTION SOUND | POST | 490 |
| DC | 417 | SOUND MIXING I | POST | 424 |
| DC | 418 | SOUND MIXING II | POST | 426 |
| DC | 419 | ADVANCED SOUND RECORDING AND EDITING | POST | 436 |
| DC | 420 | EDITING | POST | 400 |
| DC | 421 | PRODUCTION DESIGN | FILM | 470 |
| DC | 422 | EDITING STYLES AND TECHNIQUES | POST | 406 |
| DC | 423 | PRODUCING: PRE-PRODUCTION | CP | 420 |
| DC | 425 | COLOR CORRECTION | POST | 440 |
| DC | 426 | ADVANCED COLOR CORRECTION | POST | 444 |
| DC | 427 | LOGIC PRO MIDI SEQUENCING WORKSHOP | POST | 421 |
| DC | 428 | WRITING THE WEB SERIES | SCWR | 460 |
| DC | 429 | TELEVISION GENRES AND ANALYSIS | SCWR | 450 |
| DC | 432 | REWRITING THE ORIGINAL TELEVISION PILOT | SCWR | 454 |
| DC | 433 | CINEMATIC SPACE | FILM | 457 |
| DC | 434 | DEVELOPING THE PITCH | SCWR | 440 |
| DC | 435 | INTERACTIVE AUDIO AND VIDEO | POST | 460 |
| DC | 440 | ADVANCED EDITING | POST | 403 |
| DC | 441 | STORYTELLING FOR VIDEO GAMES | SCWR | 449 |
| DC | 442 | ADVANCED WRITERS ROOM: DEVELOPING THE HOUR LONG DRAMA | no longer offered* | |
| DC | 443 | ADVANCED WRITERS ROOM: DEVELOPING THE HALF HOUR COMEDY | SCWR | 455 |
| DC | 444 | SCREENWRITING LAB | SCWR | 410 |
| DC | 445 | THE ART OF SCENE WRITING | SCWR | 406 |
| DC | 446 | SCREEN ADAPTATION | SCWR | 407 |
| DC | 447 | EXPERIMENTAL FILMMAKING I | FILM | 425 |
| DC | 448 | EXPERIMENTAL FILMMAKING II | FILM | 426 |
| DC | 449 | ACTING FOR FILMMAKERS | FILM | 481 |
| DC | 450 | DIRECTING ACTORS FOR THE CAMERA | FILM | 488 |
| DC | 451 | EDITING THE DOCUMENTARY | DOC | 412 |
| DC | 452 | REHEARSAL WORKSHOP FOR DIRECTORS | FILM | 486 |
| DC | 458 | ADVANCED CAMERA TECHNOLOGIES | FILM | 458 |
| DC | 459 | EDITING THE FEATURE FILM | POST | 409 |
| DC | 460 | FUNDAMENTALS OF SHORT FILM | FILM | 430 |
| DC | 461 | PRODUCTION WORKSHOP | FILM | 410 |
| DC | 462 | DIRECTING ACTORS | FILM | 484 |
| DC | 463 | TITLES FOR CINEMA AND ANIMATION | POST | 448 |
| DC | 464 | ENTERTAINMENT LAW FOR PRODUCERS | CP | 480 |
| DC | 465 | DIRECTING THE WEB SERIES | FILM | 489 |
| DC | 466 | THE PERSONAL DOCUMENTARY | DOC | 482 |
| DC | 467 | DOCUMENTARY LAW AND ETHICS | DOC | 472 |
| DC | 468 | INTERACTIVE DOCUMENTARY | DOC | 460 |
| DC | 469 | NON-FICTION STORYTELLING | DOC | 405 |
| DC | 470 | ADVANCED TOPICS IN CINEMA | FILM | 490 |
| DC | 471 | DOCUMENTARY PRODUCTION | DOC | 424 |
| DC | 472 | TOPICS IN TELEVISION PRODUCTION | no longer offered* | |
| DC | 473 | ADVANCED DOCUMENTARY PRODUCTION | DOC | 484 |
| DC | 474 | ADVANCED TOPICS IN DOCUMENTARY | DOC | 496 |
| DC | 475 | CINEMATOGRAPHY | FILM | 450 |
| DC | 476 | VISUAL DESIGN | FILM | 479 |
| DC | 477 | LIGHTING I | FILM | 455 |
| DC | 478 | DOCUMENTARY CINEMATOGRAPHY | DOC | 452 |
| DC | 479 | PRE-PRODUCTION WORKSHOP | CP | 423 |
| DC | 480 | PROJECT BLUELIGHT | FILM | 480 |
| DC | 481 | DISTRIBUTION AND EXHIBITION | CP | 482 |
| DC | 482 | POST-PRODUCTION WORKSHOP | POST | 480 |
| DC | 483 | COMEDY, JOKE, AND SKETCH WRITING | SCWR | 479 |
| DC | 484 | LIGHTING FOR CINEMA II | FILM | 456 |
| DC | 485 | PRODUCING THE FEATURE FILM | CP | 440 |
| DC | 486 | DOCUMENTARY PRODUCING | DOC | 426 |
| DC | 487 | HOLLYWOOD HISTORY | SCWR | 445 |
| DC | 488 | FILMMAKERS SEMINAR | SCWR | 446 |
| DC | 489 | THE MOTION PICTURE INDUSTRY | CP | 410 |
| DC | 490 | DIRECTING THE PRODUCTION | FILM | 485 |
| DC | 491 | POST-PRODUCTION SEMINAR | POST | 484 |
| DC | 493 | FILM FESTIVALS | FILM | 448 |
| DC | 494 | ADVANCED CINEMATOGRAPHY | FILM | 464 |
| DC | 495 | DIRECTING THE SHORT MOTION PICTURE | FILM | 487 |
| DC | 496 | TOPICS IN STUDY ABROAD | FILM | 493 |
| DC | 497 | WRITING FOR TV THESIS DEVELOPMENT | SCWR | 550 |
| DC | 498 | WRITING FOR FILM THESIS DEVELOPMENT | SCWR | 500 |
| DC | 499 | INTERNSHIP IN MEDIA AND DESIGN | CP 499, FILM 499, SCWR 499, POST 499 | |
| DC | 501 | FOUNDATIONS OF SCREENWRITING | SCWR | 400 |
| DC | 502 | STORY STRUCTURES | SCWR | 420 |
| DC | 503 | STUDIO DEVELOPMENT | SCWR | 442 |
| DC | 505 | INDUSTRY AND PITCHING SEMINAR | SCWR | 441 |
| DC | 506 | WRITING FOR FILM THESIS I | SCWR | 501 |
| DC | 507 | WRITING FOR FILM THESIS II | SCWR | 502 |
| DC | 508 | WRITING FOR TV THESIS I | SCWR | 551 |
| DC | 509 | WRITING FOR TV THESIS II | SCWR | 552 |
| DC | 511 | CREATIVE PRODUCING THESIS I | CP | 511 |
| DC | 512 | CREATIVE PRODUCING THESIS II | CP | 512 |
| DC | 520 | FILM HISTORY FROM THE FILMMAKER'S PERSPECTIVE | FILM | 431 |
| DC | 523 | PRODUCING FOR DIRECTORS: PITCHING, PACKAGING, AND DISTRIBUTION | CP | 540 |
| DC | 525 | DIGITAL MEDIA PRACTICUM | no longer offered* | |
| DC | 560 | GRADUATE TEACHING SEMINAR | ANI 560, FILM 560 | |
| DC | 561 | THESIS I | no longer offered* | |
| DC | 562 | THESIS II | no longer offered* | |
| DC | 563 | THESIS III | no longer offered* | |
| DC | 565 | CINEMA THESIS I | FILM | 510 |
| DC | 566 | CINEMA THESIS II | FILM | 511 |
| DC | 567 | CINEMA THESIS III | no longer offered* | |
| DC | 568 | CINEMA THESIS IV | no longer offered* | |
| DC | 571 | ADVANCED PRE-PRODUCTION FOR THESIS | FILM | 501 |
| DC | 572 | ADVANCED EDITING FOR THESIS | POST | 500 |
| DC | 573 | ADVANCED SOUND WORKSHOP FOR THESIS | POST | 520 |
| DC | 574 | ADVANCED FINISHING WORKSHOP FOR THESIS | POST | 580 |
| DC | 599 | INDEPENDENT STUDY | CP 599, DOC 599, FILM 599, POST 599, SCWR 599, VFX 599 | |
| DC | 701 | THESIS CONTINUATION | CP 701, DOC 701, FILM 701, SCWR 701 | |
| TV | 110 | FOUNDATIONS OF TELEVISION | FILM | 105 |
| TV | 171 | INTRODUCTION TO TV PRODUCTION FOR NON-MAJORS | FILM | 116 |
| TV | 271 | INTRODUCTION TO TELEVISION PRODUCTION | FILM | 115 |
| TV | 289 | THE BUSINESS OF TELEVISION | CP | 366 |
| TV | 302 | THE WRITERS ROOM: DEVELOPING THE HALF HOUR COMEDY | SCWR | 355 |
| TV | 309 | MARKETING AND DISTRIBUTING THE WEB SERIES | SCWR | 362 |
| TV | 310 | TV PRODUCTION WORKSHOP | FILM | 318 |
| TV | 320 | EDITING FOR TELEVISION | POST | 315 |
| TV | 321 | SHOWRUNNING I | SCWR | 365 |
| TV | 330 | WEB SERIES PRODUCTION | SCWR | 361 |
| TV | 331 | SHOWRUNNING II | SCWR | 366 |
| TV | 372 | TOPICS IN TV PRODUCTION | FILM | 392 |
| TV | 373 | REALITY TELEVISION PRODUCTION | CP | 364 |
| TV | 381 | LIVE EVENT/TALK TV WORKSHOP | FILM | 319 |
| TV | 385 | PRODUCING TELEVISION | CP | 360 |
| TV | 481 | LIVE EVENT/ TALK TV WORKSHOP | FILM | 419 |
| TV | 301 | THE WRITERS ROOM: DEVELOPING THE HOUR LONG DRAMA | no longer offered* | |
| TV | 351 | ADVANCED TELEVISION PILOT PRODUCTION | no longer offered* | |
| TV | 398 | TELEVISION CAPSTONE | no longer offered* | |
| TV | 430 | DIGITAL SERIES PRODUCTION | no longer offered* | |
| TV | 451 | ADVANCED SCRIPTED TELEVISION PRODUCTION | no longer offered* | |
*Contact your faculty advisor to identify an appropriate substitution if this course is a required course in your degree.